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    <lastmod>2026-04-01</lastmod>
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  <url>
    <loc>https://www.jonesthedance.com/news/iremembermyselfatgorff</loc>
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    <lastmod>2026-04-01</lastmod>
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      <image:title>News &amp; Jobs - I Remember Myself. At Gorff. goes on tour - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News &amp; Jobs - I Remember Myself. At Gorff. goes on tour</image:title>
      <image:caption>Audiences attending the performances will be invited to influence what's revealed or to simply sit back and be transported to an intimate world of shared journeys of hope, pain, loss and love and moments that can instantly transport us back in time from a school bell ringing to hearing a special song.  Each performance will combine some spoken Welsh, English and British Sign Language alongside music by Sion Trefor and Ioana Selaru and design by Lois Prys. I Remember Myself/ At Gorff is supported by assistant choreography by Eli Williams, technical management by Jim Elliott and produced by Kama Roberts.</image:caption>
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      <image:title>News &amp; Jobs - I Remember Myself. At Gorff. goes on tour - Workshop and Performance Dates Oriel Davies Gallery, Newtown Workshops Monday 27 April - 13.00   for the d/Deaf community Tickets Performances Friday 1 May - 19:00 Tickets Mostyn Gallery, Llandudno Workshops Wednesday 6 &amp; Thursday 7 May 10:00–13:00 Tickets Performances Saturday 9 May - 11:00 &amp; 14:00 Tickets Glynn Vivian Art Gallery, Swansea   Workshop Thursday 14 May - 13:00–15:00 Tickets Performances Saturday 16 May - 11:00 &amp; 14:00 Tickets</image:title>
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  <url>
    <loc>https://www.jonesthedance.com/news/autumnnewsletter</loc>
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    <priority>0.5</priority>
    <lastmod>2026-04-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/7ae3a930-da9d-4dd1-899e-be9c32df2289/IMG_5240.jpeg</image:loc>
      <image:title>News &amp; Jobs - Autumn 2025 Newsletter - iCoDaCo - Denmark residency and new faces  The Wales Collective of Jo, Anna and Gwyn went to Bora, Bora in Aarhus, Denmark for one of the residency weeks. They joined the Danish Collective, meeting the artists as well as being introduced to the local dance scene there. The residency was supported by the International Opportunities Fund from Arts Council of Wales, and received unexpected support from The Performing Arts Platform, Aarhus with space. New Collective members Deborah Light joined the collective in Cardiff in September and Angharad Harrop will join us in Llandudno in October. Read about them here.</image:title>
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      <image:title>News &amp; Jobs - Autumn 2025 Newsletter - Our new show for Spring 2026 We are in early-ish stages of preparing for our new production I Remember Myself , atgorff. The creative team is now all in place with Sion Trefor returning to create the music and Lois Prys returning to work on design and costumes. Eddie Ladd and Anna Seymour join Gwyn, alongside new dancer Dan Ozeri who was selected in a recent audition in Cardiff.  This will be our first collaboration and production with art galleries. You will be able to catch the work at Oriel Davies in Newtown (who is partnering on the project), Mostyn in Llandudno and Glyn Vivian in Swansea during May 2026.    You can read more about the project here.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/0cd203c1-4002-453a-94b9-f88e0bb3aa2b/230_Q1020991.jpg</image:loc>
      <image:title>News &amp; Jobs - Autumn 2025 Newsletter - Jones the Dance’s Young Company This summer was packed with creativity for our young company with three summer schools in Mid, North, and South Wales, with some exciting things coming up this autumn for all of the groups.</image:title>
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      <image:title>News &amp; Jobs - Autumn 2025 Newsletter - Quiet Beats (South)</image:title>
      <image:caption>In South Wales, our Quiet Beats group began work on their first ever live dance piece, which they got to perform for family and friends at the end of the week. They made the work with dance officer Amber and dancer Ben Randall.  Quiet Beats South also performed their new work at our anniversary event in September, and their first ever time performing and they were fantastic. Coming up… You will be able to catch them at Deaf Gathering at Chapter in November, and at the LAUNCH platform run by National Dance Company Wales, where they will perform alongside youth dance groups from across the country.</image:caption>
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      <image:title>News &amp; Jobs - Autumn 2025 Newsletter - Quiet Beats (North)</image:title>
      <image:caption>During the Spring we launched our first pilot workshops and summer school for Quiet Beats in Wrexham. Eli and dancer Raffi Julien led the week with young aspiring dancers from across north Wales joining.  Coming up… We are delighted to share that we’ve secured funding from the National Lottery Community Fund to expand Quiet Beats in Wrexham for the next year. More news to come soon.</image:caption>
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      <image:title>News &amp; Jobs - Autumn 2025 Newsletter - Jones Bach (Mid Wales)</image:title>
      <image:caption>Meanwhile, Jones Bach created a beautiful new piece at Gregynog Hall, originally the home of Gwendoline and Margaret Davies. The work was inspired by the sisters’ renowned art collection they gave to Wales. It was choreographed by our Artistic Director, Gwyn and Eli, with the young dancers.</image:caption>
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      <image:title>News &amp; Jobs - Autumn 2025 Newsletter - Recent funding announcements</image:title>
      <image:caption>We would like to say a huge thank you to the various trusts and foundations which have supported us this year: Ashley Family Foundation and Arts Council of Wales for I Remember Myself, at gorff Post Code Lottery Community Trust to support our ongoing work and support our projects this year Gwendoline and Margaret Davies for Jones Bach Summer School 2025 National Lottery Community for Quiet Beats (North) Garrick Charitable Trust and Arts Council of Wales / Wales Arts International for iCoDaCo Powys Welsh Church Act Fund for Jones Bach for the next three years</image:caption>
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      <image:title>News &amp; Jobs - Autumn 2025 Newsletter</image:title>
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  <url>
    <loc>https://www.jonesthedance.com/news/lookingforadancer-el9yf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
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      <image:title>News &amp; Jobs - We’re looking for a new dancer for I Remember Myself (April/May 2026)</image:title>
      <image:caption>Freelance project contract Creation and gallery touring project  Includes some outreach activities  4 x weeks 20th April - 18th May 2026 £650 per week Per diems x £36 per day BSL/Welsh/English More about the project below.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/2241ea55-4c06-4c7a-b212-6cc8187c950d/PHOTO-2023-01-27-12-26-59.jpg</image:loc>
      <image:title>News &amp; Jobs - We’re looking for a new dancer for I Remember Myself (April/May 2026) - Who we are looking for: Male-identifying, under/around 30  Has strong improvisational practice  Experience in dance/physical theatre Comfortable with participatory and immersive work Experience working with non-professional/community participants is an advantage BSL and/or Welsh language are desirable but not essential  Must be eligible to work in the UK* Dancers who are/identify as LGBTQIA+, are D/deaf, and/or from/based in Wales, are particularly encouraged to apply.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/1ea0e0ef-df14-4954-85f0-9d1b88b30852/0E3A9132.JPG</image:loc>
      <image:title>News &amp; Jobs - We’re looking for a new dancer for I Remember Myself (April/May 2026) - Dates of the project: Application deadline: Sunday 1st September 2025, 12 noon Audition time and location: Sunday 28th September, Rubicon, Nora St, Cardiff Photoshoot/asset creation: 1st November Rehearsals and creation: 20th April - 9th May Touring week of 11th May Location:  Oriel Davies, Newtown, Powys Gallery tour in Wales: W/C May 11th</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/d622510b-d327-49bc-ae7c-2cf6945f7ab9/0E3A9129.JPG</image:loc>
      <image:title>News &amp; Jobs - We’re looking for a new dancer for I Remember Myself (April/May 2026) - Fee: 4 weeks @ £650/week Total: £2,600 Photoshoot day £200  Plus: Per Diems @ £36/day for those staying away from home Travel @ 45p/mile/ budget travel on public transport Accommodation costs will be covered e.g. staying in a shared house (with cooking facilities) with the other dancers Two British Sigh Language interpreters will be present for the full rehearsal production and tour to support cast members</image:title>
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      <image:title>News &amp; Jobs - We’re looking for a new dancer for I Remember Myself (April/May 2026) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/43559f14-3b1a-4c25-b236-309f4ce45972/IMG_7321.jpeg</image:loc>
      <image:title>News &amp; Jobs - We’re looking for a new dancer for I Remember Myself (April/May 2026) - Access and inclusion</image:title>
      <image:caption>I Remember Myself will tour Wales in May 2026, performing in galleries and community spaces. By focusing on underrepresented communities—D/deaf, visually impaired, LGBTQIA+ youth, and rural populations—I Remember Myself seeks to break down barriers to dance, offering a shared space for people to connect with their bodies and with each other. The project aims to create lasting relationships within communities, ensuring that dance becomes a tool for healing, empowerment, and collective memory. The work and methodology will draw from or reveal personal histories which may be triggering. This will be discussed and explored in the audition process and due to the potential sensitive nature of this we don’t expect that this work will be for everyone. If you decide it is not for you, this will not exclude you for future possibilities.  Jones the Dance is committed to creating an inclusive, equitable and accessible working environment where everyone feels a genuine sense of belonging. We actively encourage applications from people of the Global Majority, D/deaf and/or disabled individuals, LGBTQIA+ communities, Welsh speakers or learners, people from economically disadvantaged backgrounds, and those with lived experience that is currently underrepresented in the arts.</image:caption>
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    <loc>https://www.jonesthedance.com/news/our-response-to-the-arts-councils-review-into-dance-in-wales</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-25</lastmod>
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      <image:title>News &amp; Jobs - Our response to the Arts Council’s review into dance in Wales - Today (Wednesday 2nd July), the Arts Council of Wales published the review into dance in Wales. Read on for our response. “We welcome the announcement made by Arts Council of Wales today following their review and the recommendations for the next steps for dance in Wales.</image:title>
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      <image:title>News &amp; Jobs - Our response to the Arts Council’s review into dance in Wales - The recommendations and medium-term strategy they have outlined addresses the priorities we have at Jones the Dance/y Ddawns. These include working with and inspiring young people as the next generation of Welsh dancers and connecting to communities through dance across Wales. We also aim to break down barriers for everyone to experience the unspoken language of dance in our original productions that are rooted in our shared culture and experiences, and through creating opportunities that support artists and those that work in dance to thrive in Wales.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/bb43608d-aa7a-4d78-9b9a-76fd66dd6d2d/143quietbeatschapter31072024kirstenmcternan.jpg</image:loc>
      <image:title>News &amp; Jobs - Our response to the Arts Council’s review into dance in Wales - As a small project company, we have made huge strides in recent years to increase who gets to enjoy dance since the company began in 2015 (as Gwyn Emberton Dance). We take our touring dance productions to places and venues across Wales that make attending dance accessible for everyone, alongside producing our youth dance programmes for young people who are Deaf and Hard of Hearing in South Wales (and soon to be in North Wales) and for young people who are rurally isolated in Mid Wales, Quiet Beats and Jones Bach respectively. We continue to work internationally with new artists from Wales and beyond. We are grateful to have been able to achieve this with essential support from Arts Council of Wales and increasingly from trusts and foundations.</image:title>
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      <image:title>News &amp; Jobs - Our response to the Arts Council’s review into dance in Wales - Continued and increased support and resources for dance and improvements to the dance infrastructure are much needed to make the vision of dance creators, performers and practitioners possible, firing-up possibilities for the future of dance. It allows inspiration to flow and opportunities for artists to create a landscape in which everyone can enjoy and experience dance.</image:title>
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      <image:title>News &amp; Jobs - Our response to the Arts Council’s review into dance in Wales - This review by Arts Council of Wales recognises the vital part that dance has in the cultural landscape of Wales and by accepting the recommendations it recognises the need for action. We hope the suggested joined-up approach will ensure a flourishing future for dance in Wales.  We are excited by and support the recommendations to make connections between communities, artists, venues and other cultural organisations, and audiences. Within a forward-thinking framework, dance companies, artists and practitioners can collaborate and expand ideas about what dance is and can be.</image:title>
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      <image:title>News &amp; Jobs - Our response to the Arts Council’s review into dance in Wales - Dance truly thrives when there is the understanding and drive to create the environment, support and funding needed for it to be able to flourish and evolve. We look forward to hearing more detail on these plans and to working with Arts Council of Wales and our colleagues across the sector to achieve these goals. We will fully support this journey, continuing to evolve, explore and inspire how dance is experienced in Wales in the years to come.”</image:title>
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  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog</loc>
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    <lastmod>2026-02-28</lastmod>
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    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/jowritesaboutlight</loc>
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    <lastmod>2026-02-28</lastmod>
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      <image:title>Wales Collective iCoDaCo Blog - Week 13 - Light by Jo Fong</image:title>
      <image:caption>It’s hidden, the sound is dark, eerie, I can’t see very much, there is shuffle of bodies, voices, entangled, dragging and vibrating, the light flickers and shakes as it passes by a foot, a throat. Collapse, tapping, hair, and limbs  It’s impossible to tell if they are enjoying this or are desperate, occasionally the lamps light up areas of the room, the walls and floor are black,  black on black, black clothes, the air is black, white skin. We are underground, the light is disappearing, the tone of the room feel pressured, inescapable, palms press together, grab and clasp,  Tumble and occasional laughter, night wanking, raving and then rocking and enclosing together. Darkness and Deafness collide in an attempt to communicate, eyes to eyes, silhouettes, shadows, hands violent, hands holding hands, insects scramble reaching the darkest corner,  breathing heavily in held stillness. Lights on</image:caption>
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      <image:title>Wales Collective iCoDaCo Blog - Week 13 - Light by Jo Fong - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/annawritesabouttime</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/a99fa7cd-df67-4989-ae59-14952ece26a2/WhatsApp+Image+2025-10-31+at+12.34.38+%286%29.jpeg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 11 - Time by Anna Seymour</image:title>
      <image:caption>Timing is everything. Next time.  If not now, when? Things take time. Doing time. Day by day…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/53c4233d-8b59-413d-851b-6fdde6491d49/WhatsApp+Image+2025-10-31+at+12.34.38+%283%29.jpeg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 11 - Time by Anna Seymour</image:title>
      <image:caption>The concept of time is really mind-boggling. How deeply embedded the concept of time as a technology rather than a fundamental part of the Universe is within us, and how difficult it is to detangle ourselves from the linear measurements of time.  Dancing time, bath time, gardening time, dinnertime, tides, sunset, sunrise, Deaf time, ADHD time, grief time, Aboriginal time, vertical time, processing time, hallucinating time, wasting time, puberty time, fertility time, ancestral time, crip time, dementia time, stunned time.  On our second day, I shared a couple of essays about Crip Time with Jo and Angharad.  Octopus Time, David Borkenhagen, 20 April 2023, Aeon.  The Physics of Crip Time and imagining a better Time, Anna Starkey, 23 January 2024, Fevered Sleep.  Octopus Time asks how the liquid motion of the octopus can radicalise our ideas about time?</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/47895509-3ae7-40bf-96af-91e47b0f3dc8/WhatsApp+Image+2025-10-31+at+12.34.37.jpeg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 11 - Time by Anna Seymour - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/533ea4a4-80a8-4b27-a561-b9da5dc217a4/WhatsApp+Image+2025-10-31+at+12.34.38.jpeg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 11 - Time by Anna Seymour</image:title>
      <image:caption>How can we think about circular time even though my brain is repelling it? Is our sense of time connected to our sense of gravity? Sense of direction?  How can we experience experiential shifts in concepts of time? How can we move away from west/colonial time?  What can Aboriginal Australia teach us about time?  What can death and what happens after we die teach us about time?</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/angharadwritesaboutmovementweek10</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/1769878940559-604LSBKSP7YNIHW9908T/20-SUN01652.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 10 - Movement Generation by Angharad Harrop - On Conditions</image:title>
      <image:caption>Conditions that remind us not to despair Conditions that ask us to disrupt ourselves Conditions that engage us with the air just beyond our skin as a way to begin Conditions that acknowledge our sexuality and that it’s ok to go there. Conditions that allow us to think Conditions that stop us thinking too much</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/c5a334a9-3d2a-4c64-8f4f-d07817926922/87-IMG_0504.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 10 - Movement Generation by Angharad Harrop</image:title>
      <image:caption>Conditions where we can pass each other a tissue to dry our tears Conditions where we unapologetically commit. Conditions where our heart is the anchor for our dance Conditions where we reject the rage Conditions where we accept the start Conditions where possibility is the fuel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/debswritesaboutcostumeweek9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/f9e2b3bf-da96-4b89-b10e-a3f0b6b4da77/Screenshot+2025-10-14+at+21.19.27.png</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 9 - Costumes, Props and Sets by Deborah Light - Our weeks provocation was to ‘Think about our past processes. Each artist locates an object, or wearable or construction/stage set, that you think wasn’t used to its full potential.’</image:title>
      <image:caption>From this we quickly arrived at a collection of objects and wearables that were of interest to us. They were not necessarily un-fulfilled in their past iterations, in fact we were satisfied with how many of them had been used… but they still held interest and potential for us… a new context could give them new possibility.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/f7185fc6-d9c6-4f2c-865c-650f5a74cac1/Screenshot+2025-10-14+at+21.19.21.png</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 9 - Costumes, Props and Sets by Deborah Light - Our interest didn’t settle on any of these as individual elements but evolved into a preoccupation with the combinations and juxtapositions of these elements and the body in space. I offered some frames for our activity: The choreography of objects Installation of the body Creating sculpture Balancing space/objects body Transformation of objects through the body, and transformation of the body through objects</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/91075f3b-9e2b-46f3-a9de-1a49d79e5920/Screenshot+2025-10-14+at+21.19.14.png</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 9 - Costumes, Props and Sets by Deborah Light - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/jowritesaboutsound-ctw8k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/1e671791-89ec-44fc-b204-af04b2d6cb18/PHOTO-2025-09-17-14-35-59.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 8 - Sound and music by Jo</image:title>
      <image:caption>We knew this week on sound would come and somehow it would be a kind of cornerstone for our collaborative thinking. In the last hour together, we titled the research as:  The Misperception of Sound.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/9cd2b92f-04b7-4b90-abb2-9cd107a3d86f/81B71BA8-39C1-4582-83B0-F0F9B91F8917.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 8 - Sound and music by Jo</image:title>
      <image:caption>What is acceptable sound? A room full of D/deaf people can be rather noisy, chatter, clatter, laughter, escaped vocal sounds of urgency or the banging about for attention. Yes, there’s an assumption D/deaf spaces are quiet. And yet when D/deaf people are in hearing spaces, for some there’s a self-consciousness of the noises they unknowingly produce or burden of conditioned etiquette that can limit behaviour, sense of belonging or presence.</image:caption>
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  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/gwynwritesaboutruthin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/1752751138496-MCBVHPBMN3G2RYV6A19U/IMG_3726+copy+2.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 7 - Spatial Set-up and Audiences by Gwyn - Gwyn writes about week 7</image:title>
      <image:caption>This week we were invited to return to the fictional work we designed in week 5, tasked with thinking about the audience set-up. Thinking about audiences is perhaps our major commonality (in my opinion); the communal meeting point between three different artists with three different approaches from three different lived and artistic experiences.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/c83836d7-ed78-4c83-9ed5-c0554df15018/download.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 7 - Spatial Set-up and Audiences by Gwyn</image:title>
      <image:caption>Anna gave us a tour, highlighting how the artefacts took different shapes and their meanings, and how some of them created sounds. We talked about how these sounds could be experienced by Deaf audiences.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/79377f71-4251-49e5-9086-60ba3e23b3d1/IMG_3740+copy.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 7 - Spatial Set-up and Audiences by Gwyn - Some new tasks we added in were: (Chair) View Points  Room sound composition (inspired by Rachel Tess’s sound score using the room and the objects it contains for people lying down) We found the vibrations from the wonderfully sprung floor offered us a way to experience sound in new ways when lying down.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/1de58570-192d-4189-9309-1c7af7ea1f2c/IMG_3706+copy.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 7 - Spatial Set-up and Audiences by Gwyn</image:title>
      <image:caption>We got to test ideas with a few local dance colleagues, in the open space session. These are always a highlight, take us in new directions but also suggests or reaffirms the direction we are going….</image:caption>
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  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/joandelliewriteaboutweek-gms2w-wmz86-xss9r</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/64ec2996-25a6-458a-90a3-64343ecd563a/IMG_3591.jpeg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 6 - Content Development Strategies by Jo - Jo writes about week 6</image:title>
      <image:caption>How do collective practices go? Three different people, three different backgrounds, influences, languages, different desires, goals, aims…And a fair amount of spoken and unspoken “we/I don’t want to do “x”.” As we know dancing and moving together is pure metaphor for collective non-hierarchical anything. How can a making process go, what is there to consider? We are challenged to design a process for how we might work together. Content development strategies.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/a1fe0c1a-6174-4bdf-8184-78f9daecaae3/IMG_5065+copy+2.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 6 - Content Development Strategies by Jo - A strategy  Moving, Questions, Social ..: in no particular order</image:title>
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  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/joandelliewriteaboutweek-gms2w-wmz86</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/8c426282-fac1-419f-83b2-9ffce3fdcfd2/IMG_3237.jpeg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 5 - Modes/modalities/media by Jo with additional text from Billy Taylor - Jo writes about week 5</image:title>
      <image:caption>We began with what felt like the residue of things unresolved from the previous week. 4.5 days on Body Politics wasn’t really enough eh? But I guess what happens then is we carry it with us into the next chapter, it’s all body politics ain’t it? No end to this work of the body and its surroundings. Modes Modality and Media, a fantasy process, fantasy budget, fantasy production rider… Media we immediately put to the side, we dance so we are not on our screens and all three of us are obsessed with the live act, with people and creating conditions for connection and community building.  Bodies need to be part of this, whatever we do.  It needs to matter</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/joandelliewriteaboutweek-gms2w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/1746438036853-3S6RTE5JKHJK4W198B79/1+Laughing+Biker+man.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 4 - Body Politics / the Political Body - by Anna Seymour - Anna writes about week</image:title>
      <image:caption>April 7th – 11th 2025, Brecon, Wales.  Brecon is a small town in mid Wales, and is the gateway for the Brecon Beacons National Park. Brecon has an army base, and a strong Nepali community. It also has a lovely river with some swim spots.  Most of the first morning was spent catching up on industry goss, who is doing what, what’s being made, which projects are brewing.  Then we opened the starter.  It was a challenging topic, a dense week but also a lot of joy. It’s ironic how we struggled with this topic despite working with the body as our living.</image:caption>
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  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/joandelliewriteaboutweek</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/1745076252580-3K583UMDHQL83LW2KL88/79-IMG_0478+%281%29.jpg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 3 - A week to think about Themes - by Jo Fong and Ellie Davies - Jo writes about week 3</image:title>
      <image:caption>Llandudno is a seaside town in North Wales. We heard the land used to be underwater so the vikings never settled, they thought the two ormes ( mounds ) were giant sea creatures. The area has rich prehistoric evidence. Today the town is kept within a Victorian era, it’s owned, yes the land is owned by a family called Mostyn since hundreds of years. The space we worked in is a philanthropic offering from the Mostyn estate, a response from a moment when the local community said “We have nowhere to dance!” Local dance artist Angharad told us this and much more when she joined us for our open studio.  I'm going to call her an activist for dance.</image:caption>
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  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/annawritesaboutweek2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/42eb3320-ce93-4abe-b119-415179ab33fb/3-IMG_0190.jpeg</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 2 - A week to think about Collective Fantasies - by Anna Seymour - Anna writes about the second residency - Cardiff, January 2025</image:title>
      <image:caption>Our second residency was spent in Cardiff, Wales. I had just returned from 5 weeks in Australia and it was a hard transition from warm and sunny to cold and dark. It had been a couple of months since our first residency.  The theme ‘collective fantasises’ kickstarted a rich exchange of talking and moving with some flinch-o-meter moments.</image:caption>
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  </url>
  <url>
    <loc>https://www.jonesthedance.com/wales-collective-icodaco-blog/gwynwritesaboutresidency1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff325f7fbf14e2399fa394f/46f4e62e-a33d-4e4c-b243-e3ddfcb2ad60/Image+by+Full+Mongrel+-+Gwyn+dancing</image:loc>
      <image:title>Wales Collective iCoDaCo Blog - Week 1 - Social residency - Why/dance/art (what is an artist?) - by Gwyn Emberton - Gwyn writes about week 1, Montgomery - November 2025</image:title>
      <image:caption>Full Mongrel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jonesthedance.com/icodaco</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-14</lastmod>
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      <image:title>iCoDaCo</image:title>
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      <image:title>iCoDaCo</image:title>
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  </url>
  <url>
    <loc>https://www.jonesthedance.com/quiet-beats</loc>
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    <lastmod>2026-03-03</lastmod>
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      <image:title>Quiet Beats</image:title>
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      <image:title>Quiet Beats</image:title>
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      <image:title>Quiet Beats</image:title>
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